Tuesday, August 4, 2009

Young Pretty: sessions.

The first full day of recording was all piano
The second was all vocal.
we recorded at scott's abode in orange with mbox on logic.
We recorded all 12 songs.

Track Listing:
1. Surreal is so Real
2. Extraordinary
3. Spending Time
4. Color of the Heart
5. Transparency
6. That's Why
7. If I May
8. Wasted
9. She's Everything
10. Closer Away
11. Looking Back
12. Young Pretty

Later in the week we recorded all the basic drum tracks, bass tracks, and guitar tracks.
all in the course of 40 recording hours.
Courtesy of Jarrod (Drums, bass on wasted) and Joel (Guitar, bass)
Recorded by: Scott Karahadian
Engineered by: Scott Karahadian, Joel Karahadian, Jesse David Corti
Produced by: Jesse David Corti and Scott Karahadian
All Songs written by Jesse David Corti with the exception of Extraordinary (Jesse David Corti/Tristan Green)

we will have updates as they come.
At the moment: Acoustic Guitar and preliminary mixing

Young Pretty: Part Six

Unfortunately, the fall out with Irene caused the friends that she invited me to hang out with, to indiscriminately ostracize me, though I have contacted them multiple times, just wanting to hang out, find out what they've been up to, et cetera, has never been reached with a response. I tried to call/text Irene some months ago, and her number changed; I was unaware. I've reached Fred for comment on the coldness, he attributes it to it being a long time since i've had contact.
It very well could be, I pray that's what it is.
It would mean that my friendships with them were based on something solid, because they liked me, not just because I was Irene's friend.
Wouldn't it be nice.
Anyhow,
Scott, an amazing friend, suggested to tackle Young Pretty and record it.
I went--whoa.
I still hadn't figured out everything, but enough was figured out to go ahead and mark a few days to record the material.
We had a session at his house where I performed the entirety of the Work solely with piano and voice. It's rough, but it was enough.
We bounced ideas amidst different arrangements, etc.
Listened to each other's 'idea music'
Flight Crew received a monthly residency at 'The Cat Club'
I received an invitation to hang out with Irene's friends. I went, and found out that it was really a
-plan-irene's-wedding-party
Irene got engaged.
I hadn't known because those friends celebrated her getting engaged the night before.
and I wasn't invited.
Irene when she saw me, hugged me, showed me the diamond, told her story, and left me most surprised. I left that evening feeling most strange.
I improved my vocal technique.
I wrote new songs, none of which are on Young Pretty.
but the summer came soon enough.
Unfortunately, I overheated my car.
Unfortunately, I flipped over my father's car.
I enjoyed seeing Irene get married and the reception that followed
from my laptop on facebook.
Perhaps I will never receive the closure regarding Irene, her friends, and why and how it turned out, but there is certainly closure with a marriage license.
'Looking Back' certainly took its cue from this.
I have sent the lyrics of all of 'Young Pretty' to 'Young Pretty'
I'm not sure what she thinks, but I am aware that she does know how I feel.
My time with Irene allowed me to fill the gaps of emotions, experiences required for
my concept of 'young pretty'
Chronicling the feelings felt over the course of pursuing a relationship, and grappling with how to move on, move forward and the realities of when that other person does not feel the same way, and does not want to have that sort of a relationship.
I don't like to lose, but I'm human.
Life isn't about winning every battle.
Seeking Christ, pursuing the kingdom of heaven, is how we win the war.
God ordains our losses, as a means to grow our faith, grow closer to Him.
If we never lost, how would we appreciate what we had?
Irene enjoyed her honeymoon, and is enjoying her married life with Alan.
The 'Young Pretty' is doing very well for herself, living independently, and with a purpose. She is a strong believer, carries strong convictions, and has a strong will. She will no doubt succeed in finding where she wants to go career-wise and will no doubt have a happy married life of her own; what a privileged man is he.
These two women have helped make a lot of things possible in my life.
Personally, socially, musically, and spiritually.
I am eternally grateful to them both :)
Thank you, Thank you.
God Bless, God Bless.

Young Pretty: Part Five

The Friday before V-Day,
Irene and I were hanging out with our friends.
One of our friends, Fred said he had to speak with me privately.
So after some of our friends decided to leave,
I go out and find him.
He asks me,
Who do you know that goes to CSUN,
I rattle off five names.
The week before V-day, I had seen Irene, and she said that she needed to be alone,
I obliged, everyone needs their moments, there's a time for everything, including alone time. I had messaged her, she replied a little later than usual.
Fred says, "I don't know any of those people, but I do know Irene."
I nodded and thought back again,
A week before the week, I believe.
I called Irene out of the blue, and asked to meet up with her.
She said yes.
When we were at Starbucks, she asked, "Is there something bothering you."
I said not at all.
We had small chat, she didn't want coffee. We went to the neighboring store, and she bought a dress. As I walked her to her car, I handed her three gifts.
She hugged me tight, again. She whispered "Thank you, so much."
As I was back at Starbucks, she opened her gifts and called me, praised the gifts, praised me, to which I politely said thank you, and praised her as well.
Fred continued,
Irene says you're making her feel uncomfortable.
My ceramic vase shattered.
Fred asked,
Does that surprise you?
I felt that question should've been framed like 'Would it surprise you if I said that Irene is uncomfortable with you?'
That would surprise me.
The way he went about it didn't.
so monday came, and I decided to confront Irene face to face, hear it from her.
I saw her, and she cowered and made herself very small and rigid when I asked.
She didn't want to hurt my feelings, and yet... she really was uncomfortable.
I was upset that she used a messenger to impart how she felt.
And she said that I was too into her.
As she got in the elevator, she said, "Don't Blow Away."
I said what?
She said it was a reference from the movie 'The Holiday'.
Feeling horrible, I decided to not blow away,
I still hung out with her friends,
I still went to CSUN
I still sent her a wall post/message from time to time.
The experience, however, was able to shed some true blood that painted some incomplete paintings that were on ('Spending Time' 'Closer Away') 'young pretty'.
And sparked new life ('If I May').
Oddly enough, in and around that time,
'Young Pretty' herself, accepted my friend request.
I caught her on a good day.
The Summer came by soon, and though I had a few hiccups with 'Young Pretty' all in all things were much better than they were. That could not be said about Irene.
Everyone is where they're supposed to be for one reason or another.
During Summer 08, I and my friend Joel decided to jam and create.
That has been very fruitful.
We have co-written 2 beautiful songs
('December' and 'Take Me Home')
And decided to be a band, (Flight Crew-- www.myspace.com/flightcrewband )
record (December, Sinking Low, Never Again)
etc. (btw, come to a FLIGHT CREW show)
One night Irene, was a bit more standoffish than usual, after the way she responded to my presence when we were hanging out with our friends. That night, I messaged her privately telling her I saw that she was standoffish, and she ultimately defended her actions as innocent, yet--she admitted that 'yes, you're probably right, that I don't treat you like a friend, but I feel that it runs both ways with you judging me'.
After that message, I realised that she did not know how to treat me, but I still did not understand why it was she treated me in that way.
I blew away. Music became the focal point, again.
One day, while developing a set list, Joel suggested that we try 'Color of the Heart'
I felt it would be best if we performed material that wasn't YP, but he was positive that it would turn out very well. We tried, and he was right.
Another time, we played 'Extraordinary' and before we knew it, those two 'young pretty' songs were played nearly every show.

Monday, August 3, 2009

Young Pretty: Part Four

Feeling somber about Her, I was all packed and ready to go to Boston. I finished Economics with a B-. Pulled it out of thin air with my brilliant report on Apple, Inc.
I felt invincible with my creativity and my songwriting; I boarded the plane feeling proud of the work I was to bring, and seeing how I would be able to turn each song into perfection.
I listened to a lot of bands that she had suggested to me. I hated half of it, and forced myself to like the other half. Although through her, I have been more receptive to contemporary music, 'indie' music, electronic music, etc. one band that really struck me that she suggested, that my friends had told me about, that I really enjoyed, was the song 'Such Great Heights' by The Postal Service. I must've listened to that 200 times during that songwriting workshop week. To this day, I still listen to it very much; I know Ben Gibbard she adores.
My fullscreen vision of songwriting expanded to a widescreen perspective.
My 24 bit colors of lyricism expanded to millions.
My mono musicality expanded to 5.1 surround.
The workshop was nothing short of enlightening, emboldening, and empowering.
That combined with the creativity still fervently brewing allowed me to complete many Young Pretty compositions and made work on new compositions very easy. I had discovered my method, and it served me incredibly well. Feedback on my songs from Berklee was very positive; I was well received. I came back from that week feeling I could write the next 'Yesterday' and 'You've Lost that Loving Feeling'. Speaking of which...
She and I had a massive falling out. Due to communication breakdown, my lack of maturity, and outright stupidity, she ceased continuing contact. I was blocked from her AIM. So, I would send her messages via facebook/gmail. She hadn't added me as a friend, but she didn't block me either.
Senior Year came by.
Upset at my shortcomings as a person, as a Christian,
The year went well.
I got accepted to CSUN.
I took Third Prize at the Talent Show
(despite a spectacular performance with my band;
we performed 'Wake Up and Dream')
but
I was left dateless for the prom.
I semi-asked out a girl, and in turn, I was semi-rejected.
I went w/a group of friends, had an alright time.
That summer, I began a correspondence with another woman.
We'll call her Irene. (Come on Irene--wait, that's Eileen)
Anyhow, her and I communicated via facebook/gmail. wall posts/e-mail
We both went to the same school, and were both attending CSUN come fall.
I had my first experience recording in a studio that summer,
I recorded 7 songs, about 4 too many.
The songs all sounded middling. Not a good representation of my work.
Nevertheless, the $1000 dollar learning lesson taught me a lot.
I decided that 'Wasted' would be best for the 'Young Pretty' album.
and I decided that none of the tracks were usable.
C'est la Vie.
Anyhow,
School starts.
During the first week, I bumped into Irene--I should say I saw her and called her name
She was startled, She saw me, and her shoulders relaxed and we went through the what's up, how're you doing's of conversation. I walked her to her class, and then headed off to mine.
As the weeks went by we would talk longer, swapped phone numbers, texts.
We continued e-mails/wall posts. I was falling for her.
She asked me to hang out with her and her friends, visit her at work.
I had no license--but,
I did have a car.
Got my permit, and by Christmas break, while walking her to her car
I gave her a mix cd. She gave me a big hug.
For her birthday, I gave her a card with a lot of words, and a highlighter.
I got my license, I visited her at work a few times.
I did hang out with her and her friends,
I enjoyed it; all of it.
Through spending time with her, I felt very comfortable with her.
I got to know who she was, what she liked, and gosh darn it, had a real relationship,
not a relationship solely governed by text, but by talking and shared experiences.
Valentine's Day, I would ask her to be mine :)

Young Pretty: Part Three.

Months went by, and I went about writing songs with my band (Alex, Paul, etc.)
I was losing paul, so I wrote songs that I thought would win him over.
'Thinking Cap' 'Job Application' and 'Poliholitics'
These songs were more prog-rock, funky, bluesy, jam-tastic.
These songs paled in comparison to Young Pretty; musically and lyrically.
Eventually, I lost Paul, despite my best efforts.
He quit the band, long before I fired him, but the final nail in the coffin happened when he decided to go to Magic Mountain on the day that we had agreed and set a practice. I called, left a voicemail with a defeated voice saying, "Paul, you're fired."
I then retreated from those funk songs and decided to write more sensitive material. I wrote 'Priceless' 'Never Again' 'Wasted' and a few others that escape me at the moment, some fragmented songs that never developed beyond those days.
One day aimlessly wasting away time on the internet, 'She' entered my thoughts.
I decided to search her name via google (evil search engine!).
The results loaded, and I clicked on one that led to a myspace page (thank you, search engine!) so I friend requested her. She accepted, and left a message.
"Do I know you from Up North?"
I answered 'We met up during Christmas time'.
We began a correspondence, via myspace, via e-mail, via ichat.
I enjoyed every little letter of every little word that she sent.
I was smitten beyond smit's sake.
I had a full-on crush. I was infatuated.
We maintained a constant correspondence, and she would tell me of a man she was smitten by, we caught up and talked about music, politics, etc. they were most lovely conversations. We swapped phone numbers. We would continue chatting via aim. e-mail. All the while i was in summer school I was enraptured by her. I would get butterflies in my stomach, my lungs would get short of breath. I had a feeling of euphoria while we were talking about price fixing and tax burdens. I found inspiration; I wrote more songs about her. She opened up about certain personal issues, as did I; Not to compete--merely to state mine were more revealing. It must've been most distressing. I had my share of personal demons, and I let her know I had them.
One night, I decided to call her. I'm unaware as to whether or not I let her know, one thing I was made aware of... she would not answer at that time.
Like an mature man, I took the high road.
I took it personally.
I assaulted her with anger and jealousy and rage.
Bad idea.
Though her and I have remained friends, how I treated her through this period, no doubt left an indelible impression.
I was wrong.
I was immature.
I was not being Christian about it.
Though I apologized, and though she forgave, it unfortunately would happen time and again, due to my reckless reasonings and paranoia.
It was my fault, every time.
However,
Through this period of having good talks, bad ideas, and some things in between, came an overflow of creativity. Songs to write about the highest highs, the lowest lows, and the middle ground of compromises and cooling off. I came up with 'That's Why' 'Surreal is so Real' 'Transparency' 'Color of the Heart' 'Closer Away' 'If I Could' the concepts of 'She's Everything' 'Spending Time' 'Looking Back'. I was going to a Songwriting Workshop at Berklee College of Music in a few weeks. I hoped to make progress. But first, some background on 'Extraordinary'.
After the talent show, Mr. Singer-Songwriter and I decided that it would be great for us to combine forces, and be in a band together. We would cement it by writing songs together, eventually growing out of our solo tunes and committing to our collaborations (I was thinking a la Lennon/McCartney).
Our first songwriting session was very productive.
It gave us 'Extraordinary'.
I am a Christian, I believe that God sent His Son, Jesus, perfect and blameless and undeserving to pay the debt, to pay for our sins in order for us to have salvation. Confession of sins, Making Christ the Lord of your life, is the only way to have eternal life. I wanted Extraordinary to be ambiguous, lyrically, you could apply it to how you perceive a woman, or how you perceive God. Mr. Singer-Songwriter came up with the music for the intro, verse, and pre-chorus. He and I developed the music for the chorus. The lyrics were written solely by me. The music was to showcase our respective strengths. His high, high tenor through the verse, and my belting tenor through the chorus. We played the song along with a few of our other songs at a 'coffeehouse event' (His; White Noise--the talent show winning song, and Take Me Away. Mine were Priceless, Poliholitics, and Never Again). We finished the song within 4 hours.
We would only have one more songwriting session, and parted ways amicably after being together for only six weeks.

Sunday, August 2, 2009

Young Pretty: Part Two.

There are a lot of things that are easier than writing a song.
There are a lot of things that are harder than writing a song.
When people do or create or manufacture a product, they follow a certain method.
I had no method.
No words.
No music.
No melody.
No rhythm. (to this day if you see me dance, you may say the same)
I had to start from scratch.
I had listened to many songs of The Beatles, Beach Boys, Elton John, Billy Joel.
I had taken many years of piano.
Now, all of that had to contribute to making something outstanding.
I would settle for nothing less.
The song was originally titled "Poor Pretty" but that seemed too somber
"young pretty" to me carried a more uplifting tone.
the tune was simple enough, 6 lines, 3 times.
I drew from what she had endured, what I feared, and what could be done, what would be best to say/advise.
the music flowed naturally, and wanting to add a little more panache to the song, I incorporated a waltz in the middle 12.
I played the song for my father, he suggested I rearranged a few parts so that it would be more gripping; he was right.
Song ready, Talent Show looming, they put my performance towards the tail end of the evening, as my performances had always been killer, always stirring up the audience.
I had ran a few vocal exercises the day of the show, my sound check was brief; my keyboard was ready and set to go when the moment called. My mother then took me to burbank to have some food, while my father stayed at the school to experience the other acts. My father phoned us while Mr. Singer-Songwriter was performing his piece.
Just a microphone and guitar.
I could hear the audience roaring with applause and tenacious hoots and hollers.
And I would later learn that his guitar solo was played behind his head.
Wow. tough competition.
My mother and I showed up some 80 minutes later.
I wore a deep blue 70s styled collared dress shirt, with a bright blue/white pattern running through it, bottomed out with blue jeans, belt and brown sneakers. I love brown sneakers. My hair was parted down the middle, and was running longer than the school limit allowed; I looked like James Taylor, according to one judge's scorecard.
The piano was set up, the student council announced my name; a short joke that was neither memorable nor good, and the curtains opened.
This night the audience was hushed when I took the stage.
I introduced it as an original song that I had written (I was new to introducing my material), and that I hoped they enjoy it.
I played the song perfectly, I sang it impeccably, I consider it to be one of my best single performances ever.
The waltz danced passionately and the last note at the end was held strongly.
I nailed it. The audience responded in a way that confused me. It was polite. It was measured. It was self-conscious. It was dumbfounded.
Mr. Singer-Songwriter came up to me after the performance and praised my performance, praised the song, and I told him the same, even though I had not witnessed it firsthand, as he did.
The Talent Show ended. The Talent judgement began.
In third place was a dance troupe
In second place was a virtuoso violinist
(who read sheet music from a stand, that was written by somebody else, c'mon)
At this point, I realised that my popularity with the judges and the people was not as high as Mr. Singer-Songwriter, and could do nothing but smile like Jack Nicholson.
Nevertheless, they announced...
In First Place at the 2006 Village Christian Talent Show is...
(name withheld) Mr. SINGER-SONGWRITER!!!
The audience went nuts, he collected his prize, the flowers, the trophy, and the larger sum. he thanked the people for the opportunity and was glad to have performed, he was very appreciative of the award.
He performed more than I did, he had a good award speech as well as a good song and a great performance.
I walked away with nothing.
I was upset that I had not placed second.
I was upset that I lost.
I was upset that I had not won anything.
Narcissist? absolutely. Nuts? yes.
Went from beloved to bemused.
That night I left disheartened and disappointed.

Saturday, August 1, 2009

Young Pretty: Part One.

Junior year of high school was inconsequential
No girlfriend. No driver's license. No job.
Just school, family, music, and church.
but very much--music.
I had given up on my childhood dream to play for the New York Yankees as a starting pitcher/second baseman with my good friend Cody Van-Es, when I realised that I would never attain the height necessary to play competitively at the Major League level. He, however, is following his father's timeless advice.
"Work hard, and good things will happen."
He is currently playing baseball at LA mission college and is a fine, hardworking good player, a good man, and a very good friend.
Because I had retired from baseball, there was fear--all this time, all this effort, and now what? Well, I had been playing piano for as long, in fact, longer than I had been playing baseball. And I played it pretty well. I was taking 'Jazz Band' at my school, Village Christian and was the pianist (alongside teacher aide, John Barnts for the first two years).
We had played many competitions, took first prize in many competitions, people were amazed at the dual pianists; the large (38 piece jazz orchestra) sound from a bygone era at these many competitions. During the final performance of the year (my 8th grade year, my second year in the jazz band), after I had received the band award for 'most annoying sound effects' I was called to play by myself, piano and voice, as an effort to showcase my talents. I gave a short introduction on the history of the song, and then played and sang the song 'Let it Be'.
The audience was riveted. They were amazed that this 13 year old boy had played so well, and sang so sweetly. After the performance my Band director, Mr. Shafer was equally impressed. The Soundman Joe Hernandez had exalted my performance in words I can't remember. What I did remember from his praise was his assertion that I could have won the school talent show with that performance.
I thought I performed well, and certainly would not have been able to have performed as well without the proper coaching from my father, the many years of practice prodded by my mother, the lessons given by my teachers: Ms. Hall and Dr. Lepley, and of course the ability to perform, breathe, and live by my most gracious God.
The next year, I performed at the school talent show.
I performed 'Rocket Man' with Alex Valdez on drums and Paul Long on Bass.
The performance was most stellar, everyone shone and when I peered towards the audience (the bright spotlight on my face made the view unbearable) I saw other lights in the distance. Started by Natalie Matti, a sister of Levon (played alto saxophone in the jazz band with me), people reached deep in their pockets, pulled out their cell phones and let them shine on during the song. It was recorded on tape, and it's a most compelling sight. After the last Chord rang out, judges Marc Canu, Vern Jones, and another village christian teacher went to their scorecards.
The audience went into hysterics. It took 10 minutes to manage the madness that was erupting inside the Basketball gym. At the end of the talent show, they named off the winners. starting with third: The VCS drama team for their interpretation of 'A Whole New World'. Second: Mandy MacDougal (Who had won the previous year with her dance to Michael Jackson's Billie Jean) for her dance to Britney Spears' 'Toxic'. And then student council President Tyler Martin announced, "This year's winner of the VCS Talent Show, is Jesse David Corti, Alex Valdez, and Paul Long for 'Rocket Man'." I couldn't believe it. They brought forth the trophy, roses, and money. I gave the roses to Alex, and eyed that warm, large stack of $1 bills totalling to $200 ($203). Tyler asked me, "How do you feel?" And being so taken aback at such a prize so quickly I responded, "I'm shocked." I tried to pass of the trophy to Paul Long, who declined. I gave $50 to Alex, $50 to Paul, and kept $100 ($103). Tyler Martin concluded the evening "He's shocked ladies and gentleman, thank you very much for coming, and good night."
The next year, I placed second for New York State of Mind. The following year, my junior year, a new student came and carried a reputation for being an accomplished songwriter, a singer-songwriter. That year, he and I performed on a nearly weekly basis for our school's "chapel days". He is a very talented songwriter, and an excellent performer. We butted heads creatively, but we respected each other's respective talents. He was bound to perform at the talent show, bound to perform his own material, and apparently bound to win.
I do not like to lose.
I love winning.
I was upset that I had lost out last year's talent show to a group of dancers (no bands, but a dance troupe could perform? Qu'est que c'est?) when I gave an even more accomplished performance vocally and instrumentally. I knew that in order to compete, in order to win, I had to perform an original song.
Only problem was, I had never written a song, and didn't know where to begin. He had a CD of 17 songs he circulated with staff and students; well received and well played (he performed his material occasionally at our chapels by himself with guitar), and people only knew me as 'Rocket Man'. During my fabulous Christmas vacation, our family spent time away from sunny California. It was a time for many things. reconnection with relatives, recollection with relatives, playing games with relatives, it was like a bunch of mini family reunions. A few of our reunions were visiting family friends.
One such 'family friends' reunion we made left quite an impression on me. She made quite an entrance. We had been talking with her family for ten or fifteen minutes, and down she came from the stairs. To type I was quite taken, is an understatement; other frequent supposed superlatives and alleged hyperbole will follow. It is how I experienced, it is how I remember. I wished time had been kind, my mind capture the moment as a film would, but alas, her entrance was swift; she sat down. Our families caught up, shared respective histories, and how it came about; I am unsure, but I played the piano and sang.
Immediately, my parents were tipped off, perhaps my sister, too.
Nevertheless, we went out to a restaurant to eat, and being so enamored (infatuated, perhaps?) by her whole beauty, in heart, mind, and soul. Asked her questions regarding music, what she was up to, etc. To which she responded, longer than one word responses, respectful, full responses.
I had an excellent evening, we left at one or two in the morning, walked down the parking lot, gave hugs, but I was careful to--shake her hand.
"Keep in touch," she said.
I nodded yes, and said "Of course, good night."
We left. The rest of the vacation blurred, my mind kept coming back to her. Pictures documented well, I was happy with the other reunions and can remember what happened at most, but meeting with her, was most fascinating. I came back to sunny california, after Christmas break, with a lot of sunny feelings, and yet here was this beautiful woman, having dealt with so much, dealing with so much at the moment, and I could only imagine her having to deal with so much more in the future. How I wished I could swoop and save her from such a fate.
But I didn't take her number, I didn't have her address, I didn't have her e-mail.
She didn't have myspace. I didn't know what I could do. But I did know that with these feelings, with this intensity, with this desire, it couldn't just go away; it led me to write my first song. She is, and always will be, the 'Young Pretty'